Sunday, April 26, 2009

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Joan Miro: Painting and Anti-Painting 1927-1937 Joan Miro: Painting and Anti-Painting 1927-1937 by Jim Coddington


My review


rating: 5 of 5 stars
Joan Miro undoubtedly changed painting. He re-visualized space for us, recombining colors and non-colors, adding matter to the surface, add contorsion and torsion, with grace and a new aesthetics. I am not familiar enough with the timelines of development in painting. In any case Joan Miro reinterpreted and "assassinated" illusion, perspective, central image, re-shaped the relationship between viewer and canvass or surface of the artwork in a way that predates Picasso. (Picasso in the last years of his life interpreted "Las Meninas" (by Velazquez?) in his signature style.) But Picasso like Miro re-interpreted generations of virtuoso painters before him to create their own masterpieces.



Miro worked on this for a decade, creating his "anti-painting," to develop, gestate his signature in artwork, covered by this awesome book, Joan Miro: Painting and Anti-Painting 1927-1937. For painting or any other cultural (or even political) work to have depth and sustainability, the artist has to cast or grow profound roots in his ancestors and predecessors with and through his contemporaries and community.



Miro did not set out to re-interpret past generations' artwork, he set out to supercede them, destroy them or at least put them in their place, their historic place. In the process he has become our target and mountain to climb or flatten, the challenge that won't go away.



Miro, along with his contemporaries, re-figured art to the point of animation, to such a high level of synthesis and abstraction that meaning and details have gone deep and wide. Artists and designers, consciously and indirectly have benefited from their revolution. Through countless paintings and abstraction, now we can collectively "see" in different modes. For example, cartoons and animation seem to be the offspring of Miro (and Picasso) style painters.



I don't know if Joan Miro: Painting and Anti-Painting 1927-1937 is a must read. Everything around us vies against reading, much less learning such detailed history, the socio-economic system has revolutionized the absorption of culture, as well as its debasement and destruction -- or at least invisibilization through different modes of privatization and commodification -- so that consciousness, knowledge at a new level, practical and utopian are not your daily meal. But reading Miro, visually always, in text and in color, is a must for a new way of seeing this old world that conspires in every way against art and the artist in you.


View all my reviews.

Friday, February 13, 2009

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Driving from East to West Oakland
to See Our Walls Speak (part 1)


One Sunday a week after the BART police killing of Oscar Grant III I took a drive from Oakland's eastern edge with San Leandro, driving down Foothill and then turning right on 103rd or so and driving west on East 14th, aka International Boulevard, all the way to West Oakland, to drive a bit on Mandela Parkway and the surrounding neighborhoods.

I took photographs of murals, graffitti and other commercial and non-commercial art on walls and in windows.

This is the visual record of that Sunday morning driving east to west with a beautiful sun shining on our tragedies and daily tribulations of work, family, community and survival.

There is a battle between art, graffitti, tagging and commercial art, decorative art that advertizes. The contradictions abound.

Our walls speak whoever writes or paints on them. Like the mural above, tagged with some "consideration," that is making the tag almost a part of the mural, blending it like streaks in her hair? A second tagger or color however disrupts and mars whatever was friendly in the first tag.

What does this mural depict? This is the legendary myth of Popocateptl, "the smoking mountain" (the "warrior" on the right) and Cicihuatl Chicihuatl Itzaccihuatl, the sleeping mountain (I can't remember the spelling right now, I'll correct it later!).

This is the personification of two volcanoes that are in the Valley of Mexico and have been depicted as a Aztec warrior watching over his "sleeping beauty." This is the eurocentri interpretation. This myth is painted and protrayed everywhere, from restaurant and grocery store calendars given out free every new year to countless those paimted by anonymous community muralists on public and private walls in the Southwest, in Mexico and other parts of the Mexican-friendly world.

Here's a close-up
The figures do not look "Indian" -- although undoubtedly there are Mexican indians that can pass and are off-spring of Europeans who forced themselves on Indian women, some inter-married, many didn't.

Popocatepetl continues rumbling and is linked up and down the Pacific rim of the Americas with what's known as "the ring of fire" -- active volcanoes, the last major eruption was back in May of 1980 when Mt. St. Helens blew up. Now there's a volcanoe in Alaska spewing and melting a glacier in the process. Global climatic change at home.

With this new knowldege, then the myth of Popocatepetl and Iztaccihuatl takes on a different story. When sleeping beauty wakes up she's gonna make us pay!

Here's another close-up of the mural:
Here a tagger placed his/her spray on his leg, a clumsy attempt at blending or just plain defacement, as the artists or painters of this work would not-so-gently or nicely say.

I kept driving east, sometimes dangerously, as I pointed my camera in the direction of art on the buildings along East 14th/International Boulevard.















More art on the walls, of varying quality and skill:

I messed this shot up because I didn't pay attention to the stop sign's shadow over the portrayal of the girls playing jump rope.











Here's a mural at the East Oakland Youth Development Center wall, on 82nd and East 14th.

All these shots were taken while driving.









Further down East 14th:
She was a beautiful apparition from Michoacan or Africa.











This is a student mural done by students at Melrose Leadership academy, defaced by taggers and then the tagging was painted over. This mural is particuarly significant because MLA students organized a protest demanding a traffic light for community safety. MLA students did an action, taking over the street, creating a human chain and stopped traffic. And they got a traffic light installed! This happened about 2002?















Mural on the two floor facade of the Catholic Worker building:


This mural depicts Latin American heroes, Che, Bishop Romero of El Salvador and others.











Here's a blend of commercial and cultural mural on the facade of the Corazon del Pueblo:

This is a much better version of Latin Americanist Indigenist-oriented mural theme, which inspires Chicano mural painters and others, and has its long roots in the Popocatepetl/Iztaccihuatly theme and imagery.

The mural atop Corazon del Pueblo is developed and stylistically speaking in quite great form.

Corazon del Pueblo us my type of shop, it has Chicano/Mexicano "kitsch" and fine art, including music CDs, postcards, earrings and other jewelry, ceramic pottery, Virgen de Guadalupe and Frida Khalo pseudo-devotional art that I love to hang on my doorways and walls, huipiles, guayabaeras and posters of Mexican revolutionary icons and lots of knick-knacks for all occasions ! And on top of all this, Corazon del Pueblo truly is a cultural center, with a back room, a speakeasy of a new type, where the owner opens to community meetings, mounts fine art shows and allows many of us to put on poetry readings, musical offerings and other cultural activities inside and in front of her store.

Thursday, January 22, 2009

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Sign
OPEN LETTER
To President Barack Obama

Visit

You are invited to sign the National Network for Immigrant and Refugee Rights "Open Letter to President Barack Obama," which calls on his Administration to end immigration raids and suspend all detentions and deportations as the first step to restoring due process rights and implementing humanitarian policies, measures and practices in the treatment of all immigrants.

To read or sign the letter, please visit www.nnirr.org

Thanks!

Friday, January 16, 2009

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Three Poets, Four Poems for Gaza


Note from Arnoldo Garcia, EL FEO: These poems were sent to me by Miriam Ching Yoon Louie, author of Sweatshop Warriors and co-author with Beth Ching and myself, Arnoldo Garcia, of XicKorea: poems rants words together.

These four poems denounce the Israeli war against Palestinians and Palestine in Gaza. There are two poems by Suheir Hammad, noted Palestinian poet; one by Miriam Ching Yoon Louie and Janine Mogannam.

Why must these poems be written, read, disseminated, memorized, exchanged, lived? Israel launched a military invasion of the Gaza Strip on December 27, 2008, a seige that continues to this date and with no end in sight. Over 1,000 Palestinians have been killed (a third or more of the casualties are women and children) and thousands more wounded, maimed and traumatized. Israeli F-16 jets are bombing Gaza cities and towns into rubble, tanks and soldiers follow with shells, mortar fire and weapons firing against the people, whether they are in mosques, schools, homes, apartments, U.N. buildings and schools. Israel is carrying out a massacre, with the deliberate intention of a holocaust. The carnage must stop; Israel must be disarmed and driven back, driven out. Gaza must live.

Here are three poets aiming their words, their only weapons, for peace, justice, for those who have been buried and are dying in Gaza under the rubble of Israel. What will last longer? The Israeli siege and destruction of Gaza? Palestine? These poems? Who will remember forever, who try to forget today the Israeli killings? If Gaza is destroyed, I will rename Oakland, Gaza. I will name my home Gaza, my mourning, my happiness, my migrancies, my displacements, my love, my tenderness -- all Gaza.

*}*{*

Miriam Ching Yoon Louie

GazaNam

White phosphorous means
Napalm means VietGaza means
Child aflame run Korea

Survive Holocaust/ how
Collective hungerment/ can you
Smell charred flesh again?

Scorched root still grows
Bay night luminous with kaffiyah moms
Hoarse chanting babies

Eyelash boys beat buk thunder
Drum witness big bros rippling Leila
Wings from bus shelter roofs

Red black green white prayer
Cape catches my drumstick—kung!
End—the occupation

Now—a lil bit louder
Stop—the genocide
Free—free Palestine!

Hope pray hope
March hope please hope means
Stop burning children want peace.

*}*{*

Suheir Hammad


gaza

a great miracle happened here
a festival of lights
a casting of lead upon children
an army feasting on epiphany

i know nothing under the sun over the wall no one mentions
some must die wrapped in floral petroleum blanket
no coverage

i have come to every day armageddon
a ladder left unattended
six candles burn down a house
a horse tied to smoke
some must die to send a signal

flat line scream live stream river a memory longer than life spans
the living want to die in their country

no open doors no open seas no open
hands full of heart five daughters wrapped in white

each day jihad
each day faith over fear
each day a mirror of fire
the living want to die with their families

the girl loses limbs her brother gathers arms
some must die for not dying

children on hospital floor mother beside
them the father in shock this is my family
i have failed them this is my family i did
not raise their heads i have buried them
my family what will i do now my family is bread
one fish one people cut into pieces

there is a thirst thefts life
there is a hunger a winter within winter

some must die to bring salvation
i have come to end times always present

the woman lost parents her children and screams
my sister i have lost my sister i want to die
my sister’s eyes were honey her voice mine
i can’t face this only god only god my sister

medics killed schools hit convoys bombed
the injured are dying the dead are buried in three
hours the people pray together and curse the people
mourn loud and quiet always too loud not enough

some must die because they are the vicinity
some must die because it was written

no army does not apologize has never
apologized authority chases paper assembly
occupation settles deeper

a great miracle here
the living are dying and the dying living

a festival of lights
a strip a land a blaze
the sea a mirror of fire

a casting of lead upon children
their heads roll off their shoulders into streets
their tops spin in hands

an army feasting on epiphany
driving future into history
carrying torches into women


*}*{*

Janine Mogannam

for gaza

ya allah what
is there is anything
left

allahuakbar

scream cold into cobalt darkness
frigid breath cannot temper
the fury of earth betrayed
ablaze her children only human
orphaned to her now

land of ghosts hollow
cost of growing up cactus
fruit people knew
what the war
saw replanted advantage over
wheat and olive
people always without

i know that cool midnight
sky navy royal
purple alight by
stars struck the gash
of rockets mortar fire
and brimstone paradise
lost children and limbs
reaching for home phantom
fragment gory spilling
insides endless vultures
circling for the kill

the city
in shambles city
of the dead gaza
a graveyard tumbled
walls are tombstones
marking graves anonymous
babies mothers scream
into the sunlight i
can't believe
in the sky anymore

but the light
persists waiting to be
found the sun
still rises in gaza nablus jenin
haifa ramallah bethlehem points
in between stars
still twinkle unknown
signs in three
languages point nowhere
into the trees or into
the sea the river rebirth
its children false witness
history rewritten
so that every town bears
a different name
a different scar slashed
swift and sweet into
the skin of this land

bring me to her break
my heart in two
bury it half
here half within me
so i always feel
her pain always
remember fortune born
on the right end
of the flat earth
as i return
in my mind faces
at qalandia expressions
cannot be translated
into words eyes
wide as the moon or
fallen trees lips parched
feet cracked and
aching to return
to remain
still and i am speechless
with sorrow with guilt pushing
away the sesame jerusalem loaves
warming my lap there is
no bread enough
to feed those eyes
those feet these memories
these horrors push
bodies push away my hand my chair
away from the table the television terror
i remember i cannot DO anything
push away palestine push

make use
shoot
my arrow at the stars
make light rain onto her
rebuild
take the pebbles splinters
shrapnel (once home)
mix with water
mix with blood mix
until hands are crimson
and raw as hearts as insides
laid bare and open flesh
wounded against rocks feeding
the soil
the rage feeding
another day
rebuild
rebuild

*}*{*

Suheir Hammad

jabaliya

a woman wears a bell carries a light calls searches
through madness of deir yessin calls for rafah for bread
orange peel under nails blue glass under feet gathers
children in zeitoun sitting with dead mothers she unearths
tunnels and buries sun onto trauma a score and a day rings
a bell she is dizzy more than yesterday less than
tomorrow a zig zag back dawaiyma back humming suba

back shatilla back ramleh back jenin back il khalil back il quds
all of it all underground in ancestral chests she rings
a bell promising something she can’t see faith is that
faith is this all over the land under the belly
of wind she perfumed the love of a burning sea

concentrating refugee camp
crescent targeted red

a girl’s charred cold face dog eaten body
angels rounded into lock down shelled injured shock

weapons for advancing armies clearing forests sprayed onto a city
o sage tree human skin contact explosion these are our children

she chimes through nablus back yaffa backs shot under
spotlight phosphorous murdered libeled public relations

public

relation

a bell fired in jericho rings through blasted windows a woman
carries bones in bags under eyes disbelieving becoming
numb dumbed by numbers front and back gaza onto gaza
for gaza am sorry gaza am sorry she sings for the whole
powerless world her notes pitch perfect the bell a death toll

*}*{*

Thursday, January 08, 2009

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We are all Oscar Grant! ……………&, BTW, can we please not vilify the vandals?

My thoughts on today’s protest, while they are fresh…

11pm, January 7

By Rise Up [continues below]

NOTE FROM THE EDITOR:
Here are a couple of posts written on the evening of the January 7 gathering at Oakland's Fruitvale BART Station to protest the BART police shooting and killing of Oscar Grant, which turned into a confrontation with the Oakland police. Oscar Grant was killed on New Year's Day at the Fruitvale station and was videotaped by various passengers who were on the stopped train as the BART police were handcuffing several young men involved in a fracas. Oscar Grant was on the ground face-down with three police officers on top of him, when one of them stood up, unholstered his gun and shot him in the back.

See the video documenting the police shooting Oscar Grant at:
http://www.youtube.com/watch?v=IAHjhtYZpX0

Read a report by Davey D:
http://www.sfbayview.com/2009/did-bart-cop-who-killed-oscar-grant-mistake-gun-for-taser/

*

We are all Oscar Grant! ……………&, BTW, can we please not vilify the vandals?
My thoughts on today’s protest, while they are fresh…

11pm, January 7

By Rise Up

So, wow. I’m listening to the ghetto birds still outside my Oakland apartment while I listen to them on the live news at the same time. I’m nursing the blister I got marching and running around 5 or so miles. I’m charging my phone ‘cause I over texted with people coming to or worrying about the protest or trying to decide what to do next at the protest.


At 11pm, they started to make mass arrests. Before that, there were 14 adults and 1 juvenile arrested. Supposedly, someone is being charged with “assaulting an officer” tho the news reports no officers were hurt. Half of us stayed at the BART station and half of us marched, putting 500 or so people in each place at some point in the evening by my estimation and the estimations of my friends.

A cop car got jumped on and its windows broke and some folks tried to flip it. Some dumpsters and garbage cans caught on fire. Later, some restaurant windows were broken and a few people’s cars were smashed up and burned. Here’s some video: KTVU Video of cop car getting tore up http://www.ktvu.com/video/18435145/index.html

After the window of the MacDonald’s on 14th & Jackson got broken, Mayor Ron Dellums, Black man and old school activist turned politician, came to that spot to try to talk to the protesters and calm them down. That was actually a pretty smooth move for a mayor I must say. Alas, after a few handfuls of folks listened to him and followed him like the Pied Piper back to City Hall, they decided that his words were not so consoling, booed him, and went on to tear up Oakland some more…

But, back to the beginning……
I loved the people who showed up! We were so diverse and beautiful, and all of us there, UNITED against that police murder, all of us, regardless of background, really angry and fed up with the mistreatment of black (and brown) people by the police from our different perspectives on that.

I loved the connections drawn between Gaza and Oakland. I loved that we were reminded that the Black Panthers started as a self-defense group against the police. I loved the young people and I loved all the heart and heat from the stage. I loved the sign that said “fuck the police, no army in the streets!” I loved the defiance of people lying in the streets on their bellies as if hog tied in front of the cops and telling them to shoot. I loved the fearless emotions cutting loose, and I loved it when we all chanted, “We are all Oscar Grant!” every time the police tried to face us down in the street. “Whose Streets? Our Streets! No Justice, No Peace!”

The news from 9pm or so kept saying that the protest was so dispersed and disorganized that the cops were struggling to contain it. For hours, in fact, the police really could NOT contain it. I have to admit how much I love that. I mean, it’s not really an end point or anything, but it’s so empowering for us to see some of the possibilities! “Ain’t no power like the power of the people and the power of the people don’t stop!” Here’s to a lack of organizing or whatever you call that!

There was a little internal conflict over whether we should have marched. That’s too bad since we really need all kinds of protest. I was personally not sure which group to hang out with. In the end, I marched.

Already on the news they found someone to say that it was “the anarchists” who weren’t part of organizing the protest who were responsible for both the march and for the bulk of the “violence”. But by now we expect this, no? I assure you, both groups were diverse in the end.

So we did this beautiful thing today and the unity was deep and it really had a feeling, like someone said from the stage earlier in the day, that we were at the beginning of something new, or something renewed, like the next round of a serious civil rights movement. And really, to me, this is what will “fix” it more than anything very immediate, like $25mil, or jail time for that cop. Those things should happen too, of course, but we need some very serious and deep ass change and that’s gonna start with movements of people, if you ask me, not with electing Black poster boys for president or putting bandaids on things. I have to say again, tho, how we were really diverse. I think that this will be a marker of the difference between the 60’s & 70’s and “the next movement”, whenever it is we feel able to claim that title.

But I left when folks started messin’ with people’s personal property. Well, actually, my cell battery ran out and I lost my folks so there was no one I knew havin’ my back, plus that blister on my heel was starting to get to me and I was starving and I really had to use the bathroom… but I still, I left because I didn’t really wanna be a part of attacking other peoples personal stuff or even messing with small businesses.

OK. So, someone might assume that I wanna call those people crazy, and certainly the media is going to tear into them a lot; someone will press charges, and someone will discredit the whole action due to the fact that some people expressed their rage more carelessly than others. Even parts of the left are gonna be really mad at those folks, I know.

But does anyone remember Reginald Denny? Wikipedia on Reginald Denny [ http://en.wikipedia.org/wiki/Reginald_Oliver_Denny ] Well one of the people whose car got burned has already said on the news – an elderly white man – while he is upset about his car, he is really upset about Oscar Grant being murdered and understands.

It’s controversial among the people who were at the march and sparked discussions about what kinds of property destruction is ok and what kinds are not.

I want to call on people to think out this issue of “violence” and keep in mind that this was PROPERTY destruction, and not PEOPLE destruction like shooting Oscar was. And I want to call on people to keep the high spirit of ALL THE FORMS OF PROTEST AND RESISTANCE we were a part of today and tonight, and not to feed those who chose to destroy property of individuals to the wolves. We should seize the opportunity to talk among ourselves about the difference between someone breaking the windows of a City Hall or BART headquarters or a cop car, and someone breaking the windows of small restaurants and stores. We should use this as an opportunity to teach that breaking the windows of the cars of individuals doesn’t really send the message we want to send. But lets not feed those people to the wolves. OK? We have youngsters and noobs in our midst. I don’t wanna treat them like “agent provocateurs” [ http://www.answers.com/topic/agent-provocateur ] unless they actually are and in the meantime, we need to embrace them and teach them.

Yeah, I’m kind of responding there to some specific things I heard out of some particular mouths tonight, but it’s important.

The news was also showing things I saw myself but didn’t have the camera to record – a young black man lifts his shirt to bare his chest to the police and yells to shoot him now. And that young woman who said, “We live our lives in fear and tonight we want them to be afraid!” How many did she speak for?

there will be more.....

Wednesday, December 17, 2008

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yo vengo de un pueblo sin fronteras

Arnoldo Garcia

yo vengo de un pueblo sin fronteras
soy africano
soy palestino
soy pure'pecha
con destino a la liberacion natural.
soy mexicano
soy hasta chicano
negro de raices huastecas
mestizo con raices mundiales
he cruzado mares y olvidos
he hundido arados en el vientre de la tierra
plantando semillas y esperanzas
cultivando corazones y alabanzas
ningun humano es inmigrante
ningun humano es minoria
ningun humano es indocumentado
ningun humano es ilegal
somos todos ciudadanos
o somos todos indocumentados
somos todas juntas
o somos todas rebeldes

mi piel es el color de las tierras
mi lengua son los rios y los mares
hablando palabras cristalinas
cantando lluvias y huracanes
soy fragil como un otonyo
soy la primavera que nada ni nadie puede detener
soy jornalero de los horizontes
costurera de la ternuras humanas
campesino del amor a las raices y los abrazos profundos
contesto todas las llamadas de la libertad
y solo me gusta provocar la risa
para desafiar a las puas del odio
todas las fronteras son inalambricas
todas las fronteras son virtuales
la tierra no tiene fronteras
tiene esa enfermedad de humanos
que padecen la enfermedad de la propiedad privada
padecen la enfermedad del color de su piel
padecen la enfermedad del genero hombre macho
somos un pueblo que trastorna fronteras
somos un pueblo que nacio en milpas y limpia rascacielos
somos un pueblo que sabe labrar tierras y curar enfermedades
Yo vengo de un pueblo sin fronteras

Photos by arnoldo garcia, hands of young writers

Tuesday, December 02, 2008

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Another Offering for a Peaceful East Oakland

I stopped yesterday morning by another street sidewalk altar on East 55th Avenue. A small rememberance for a young life? How did the young man -- I speculate, for all I know the altar honors an church elder -- die? A bullet? Rare , fatal disease? A car accident? How is his/her death affecting his/her siblings, parents, friends, the neighborhood, the community? The altar the death represents hits me; black and brown youth take it out on each other and our present and future diminishes.

The evening before I was driving by and there was a gathering of young people, their backs to street. I knew what was going on. So on my way to work I stopped to see their offerings.

Drive-by shootings and killings are memetic, they infect the survival mode with violent, irrational motives and hunger for revenge.

Power grows out of a barrel of gun, Mao declared. Powerlessness pulls the trigger, powerlessness over one's destiny and the attempt to impose it over others. Losing a loved one to violence is devastating, a black hole that attempts to suck everything of life into it and drown the days, the dreams. Anything having to do with hope, optimism, becomes an ordeal.

Black on black violence, brown on brown violence, the young feeding off the young, the old alone and unheard. Mourning spews out of the barrel of gun.

A bullet hole dominates the horzion.
I have a bullet hole in my heart.
I have bullets for eyes.
I have bullets for words.
I have pulled a net of bullet holes over the sky.

The horizon is reddening with the madness of fast food, drive-in's, drive-by's, prostitutes who are teenagers, drug dealers fresh out of middle school; gangbangers that stick up for each other and threaten anyone who offends their onion paper thick sensitivity. Gangbangers that stick up the local tienditas that sell everything we need at inflated prices.

I have spent shells for music.
Useless conch shells that call out to deaf gods and ancestors
Empty cartridges that have opened bloodied eyes on the bodies of another young man
Spent shells that wll never hang on a gold chain to revere a revolution.

We do not honor the living until they are dead. The youth honors each other on the sidewalks after it's too late. They make pledges out of fear; they are marked.

The odds have always been against us. I never thought I'd live to be this old. Neither do my children and their friends. What is this that U.S. capitalism makes us fulfill it's own branding, its own consumer rush to powerlessness through things?

The gun is the ultimate rush. Those with power and control have guns at their disposal -- either on their side or in their police forces, army and other institutions and agents of coercion.

In parts of Oakland, the police force is replaced by the deadly force of an empty economy, an economy that fuels predators and informal economies of scale: the body of a girl or a young/old woman for sale, the small-time pusher in marijuana and other intoxicants.

Day laborers who are solicited for yard/landscaping work, construction, clean-up, and sex. There are the mini-empresarios, the street vendors who sell snacks, tamales, coffee, pan dulce, grilled maize (corn on the cob), tacos, home-made goat cheese, quilts, clothes, ice cream, sodas, and other utensils.

They/we live and work, they/we smile and grow, side by side with the homeless, the small family-owned stores, gas stations, sidewalk sales. They/we say with their/our bodies, their survival work:

We are here and we matter, we belong here and here we will stay, thrive or struggle withut bitterness or rancors, with our way of happiness.

We all want to push away poverty. Even the poor want to end not just their but everyone's poverty. Being poor is not about money -- although having money to pay bills, buy healthy food, get access to culture doesn't hurt!

Being poor is about not having adequate housing, health and access to relevant and quality health care, education and other social services and support that generates livinghood, hope, a different future. I wouldn't mind continue being a migrant farmworker; farmworkers need health care that is conscious of the precarious conditions udner which we toil (pesticides, the physical bombardment the body receives from just working in the fields -- hunching over, carrying heavy loads of produce, the dust, the long hours and longest hours when harvest seasons come; the need for real vacations, breaks out of the sun my granfather would say. He never understood why anyone would want to go sunbathing. Try working 12, 14, 18 hours in the sun and you'll see what he means.

We survive against all odds, but they are not our odds. Someone is literally making a killing off our impoverishments, off our dead youth, off our incarcerated youth and elders, off our crumbling schools, off the Flatlands.

And we honor ourselves and our friends, our sons, daughters, our students sometimes too late.

Through their altars we remember to live differently, love constantly those around us, love one's self too.

Social class analysis calls these social urban clumps the lower strata of the working class. Urban planning and city hall officials and police would call this those who they believe have no dignity, no vision, no power, no will, no plan and subject to us to their plans, their indignity that comes with their power, vision, power, will and demeanor over us.

They forget that we too are Oakland.

The Hills thrive off the Flatlands; they come down for tasty food, sex workers, drugs and gentrify in the process. We drive to the Hills, yet we get profiled as prowlers.

Hills and Flatlands are inseparable in the natural and social worlds.

We live in and occupy different socio-economic strata and spaces, yet we are the offspring of the same socio-economic and political mother. We are blinded by colors, race, genders, social classes, social stratae.

I call this the inability of capital(ism) to absorb us or crush us. We are inside its process, subject to its depradations, yet stand outside of the economic crises, the dot boom-bust, the recession, the banking collapses, the auto bailout. We are affected and unaffected, we are already poor, lack health care, have access to low expectations and machine-age teachers, day laborers all. We make capitalism possible, have made and are making Oakland possible.

We can get poorer, more impoverished, sicker, meet death in any of foreseen possibilities, work full time and yet be homeless forever.

We are cast as the inhumane face of capitalism. Capitalism calls us names, brands us incorregible, imprisonable, exploitable; we are the ugly. Capitalism has no humane face that anyone could be proud of -- in comparison to us, the lower strata, the unplanned, the unemployed/underemployed, the Flatlanders, the toxic wasted sites, capitalism has a prettier face. The chain stores and cafes can hire young beautiful women to sell their addictions; super and everyday models of consumption.

Yet we are a market, we consume, we shop, we flock to the big box stores, when we can afford them, when we have a car to get us there. Or we walk to the local corner stores, go walk to the Fruitvale. Or the street vendors, the mobile little stores, come to us, pass by our apartments and houses, our homes and beckon with poetic calls, bells and songs.

Stop the Violence, How?

When he was Oakland's Mayor, Jerry Brown proposed 100 new cops for Oakland, but mainly for east and west Oakland. The Oakland electorate voted to get the new cops but did not want to pay for them.

Our new Mayor Ron Dellums tried again to get voter approval for 100 new cops.

In the meantime, from every Thursday evening through Monday early morning, at least 100 cops are brought into east Oakland, they prowl Jack London Square, zoom about certain parts of downtown and west Oakland. They stare at young men of color, they pull them over and ticket them, harass them to leave. But, to where?

Saturation policing, racial, ethnic-nationality and religious profiling, cops pulling over young men of color for any slight offense. Other drivers pulled over for being on the cell phone, or making a rolling stop. Check-points eyeballing drivers for color and class.

How about a 100 new jobs in east Oakland and 100 for west Oakland -- stable, lifelong, living wage jobs that make a difference? How about 100 new teachers, 100 new park-n-rec programs, 100 new affordable housing units, 1oo new small businesses, 100 new cultural centers, 100 new chapbooks, posters and magazines featuring the voices and dreams of east Oakland?

How about a 100 poetry readings and writing workshops -- two a week from January 1 - December 31? One concert a week of live music, blues, hip hop, jazz, corridos, cumbias, punk, rock en español, rock-n-roll, metal?

How about building a skate park on the lot that's at 55th and "International," nee East 14th?

We can stop the violence. We have to change the channel, change the numbers, a change of heart, make poetry, bread, style, laughter, community, health and culture in east Oakland, in west Oakland, in Oakland. We can't make much culture when the solution is policing, state violence and coercion, the pressure and pushing out of gentrification.

I am still shocked and in shock of the youth on youth violence, the young who die so young. I have lost friends to violence since I was young. Now that I am older, I still am losing young friends to violence and despair. I mourn the loss of the youth who perished and was honored on 55th.

But the majority of youth are succumbing to gun and other types of violence. They are succumbing to the violence of social and economic policies that have written them off. The violence and despair of little or any living wage job prospects. The standardized violence and despair students learn at the schools and lack of prospects for higher education.

We cannot just be survivors. We have to be strugglers, organizers against state violence, the daily bread of militarism that's got us in a choke hold. We have to live, work, worship, study and play in peace. For that we need a redirection of existing resources. We need hundreds of new things. Maybe we do need a 100 new cops, 100 that live and hope in east Oakland; it's work, too. But we need hundreds of new jobs, hundreds of investors willing to take a risk with the youth themselves, hundreds of spaces where culture, art, elders and youth can sit side by side and enjoy live's longest cycles so that no one perishes in vain.

We choose to live, even when we suffer losses that cause profound pain, seemingly unending, darkness when anyone we love, however old or young, dies.

After I snapped a few photos, even though it was cold, I bought an ice cream cone from Esteban,a peripatic ice cream vendor. It was a crisp, coldish morning.

I asked him how it was going. He said, I'm just getting started. He took off walking down the neighborhood and I got in my car and drove off -- both to work in Oakland.